An Ode to My Mindless Job, or I’m Glad I’m Not a Professional Witch

bullet journal spreadThere’s this thing I do that I’m trying to get a handle on. It’s like it’s some inherent part of my personality that I just can’t shake, and it gets me in trouble: I take the things I’m passionate about and I turn them into work.

There’s this maxim that’s been floating around forever that if turn your passion into your job, you’ll never work a day in your life. Near as I can tell, this person (who, according to the Internet, was either Confucius or Marc Anthony, so what does that tell you) probably had someone else’s income and health insurance to supplement those passions. Good for them.

There are lots of people in Pagan and witch communities working to turn their traditions and magical skills into sources of income. Instagram is full of “Boss Witches,” and half of my YouTube friends ask for support on Patreon. I myself have a book about to drop, and am plotting out several others. I’ve sold candles and zines and all manner of other things over the years. We build tarot websites and open up witchy Etsy stores and leverage our social media followings into patrons rather than friends. Many of us can barely try out new recipes for oils and incenses without thinking, almost involuntarily, “Hey, I could sell this.”

On the one hand, it’s kind of awesome that there’s a market for these kinds of things. It means many people don’t have to work jobs they hate, at least in part. Witches have always worked for a price, and I’m no naysayer in that regard. There are many witches and Pagans out there who I’m very happy to throw my own money at because their work is amazeballs.

But there’s a thing I personally can’t seem to get around: when something becomes my job, it starts to drain me. I stop enjoying the thing, and it stops feeling like passion.

I don’t necessarily mean “job” as in “thing I do for income,” either. I mean “job” as in task, obligation, duty, or work.

Those of you—myself included—who are involved in any kind of planner community, even casually, should immediately think of the people who turn every mundane, automatic thing into a bullet journal checklist, just because it feels so good to check the box that says we finished something. Drinking water and recording the weather becomes a job. What started out as a fun, creative hobby that has the side-effect of making us more focused now makes us feel shitty when we can’t decorate an elaborate weekly spread that includes fancy Japanese animal tabs marking every stupid thing we watched on Netflix or every type of booze we drank that week. Where once we were happy, now we feel confined. Obligated.

I can barely read fiction because it feels unproductive. And when I do, I have to productify it by keeping track of HOW MANY BOOKS I CAN READ IN ONE YEAR or some such. It works for a while, but I find that the joy eventually drains out.

I’ve watched as this has happened to my witchcraft, my practice of tarot, my writing, my art, my practice of HEMA, and even my relationships (I’M GOING TO CALL ONE PERSON EVERY DAY TO SAY HELLO SO I CAN BE A BETTER FRIEND). I fall in love with a thing, I throw myself into it, I turn it into an obligation, and then I stop giving a shit because WORK.

It’s no good.

In the simplest terms, I’m not great at living from moment to moment. Everything I do I treat like a step within a larger project, and it sucks out the joy. It’s true that discipline is valuable, and it’s true that the disciplined usually reap the rewards. If you want to be a well-known professional writer, you need to write on a schedule, practice, produce, and make sacrifices where the rest of your time is concerned. If you want to look like a swimsuit model, you need to strictly track your diet and workout vigorously. There are no cheat days.

The difference between mediocrity and greatness is sacrifice, one of my music professors used to say.

She was right, but here’s the rub: those aren’t the only two options. It’s okay to choose something in the middle.

I’m going to try doing what feels good for a while, and not forcing myself into a set schedule on things that I love, just because some part of me thinks that I need a task list in order to be good at anything. As a high priestess, circle with my coven became a drag when I turned it into a chore and started neglecting other parts of my Craft life. Writing became a drag when I instituted unmanageable daily word counts. Fencing became a drag when I let the outcome of tournaments define the value of the thing itself. And my bullet journal is for fun, not for punishing myself when I ignore it for days on end.

It’s cool to make money writing and doing witch stuff, but when I have to, I eventually stop loving what I’m doing. On those days, I’m grateful for my meaningless paycheck-driven job that I can leave at the door every day. It turns out, at least for me, it’s not always a good thing to turn our passions into our jobs. Especially when we’re already not great at finding that balance between work and not-work.

Sorry, Marc Anthony.

Things That Are Things


What even was my New Years goal? Something about songwriting, right?

I’m usually pretty good about this sort of thing, but winter has revolved entirely around getting my manuscript in on time (YASSSSSS). Nothing I played sounded good to me, and I felt guilty every time I sat down with a guitar. Oh yeah, and I broke my thumb while sparring with my sword instructor (“Well, you should have parried better.” Yes. I should have.). And developed tendonitis. I briefly considered just shooting a video of me whacking a cup on a table and sing-screaming my feelings at the Internet, but I don’t actually hate any of you.

I don’t actually feel bad about failing at my 2017 music project. Besides, there’s still time. If I end the year with ten songs instead of twelve, it’ll still be ten more than I’ve written in, like, five years. I’m still winning.

Finishing a life-consuming project is disorienting, but I’m feeling really good lately. I’m finishing out my first quarter as a full-time teacher, and I haven’t developed an alcohol dependency or been found crying in the staff bathroom. Win! My kids are actually really awesome. Buttheads sometimes, sure, but who wasn’t at seventeen? This school environment is so different from the one I was raised in. When there’s trouble, it’s usually the system to blame. Not the kids. Once they realize that you’re actually on their side, I find that most students will go along with your plans and do their work.

Meanwhile, swording continues to be awesome. Our first tournament was the tits. Even my sister came to see me and meet my friends, which meant a lot because we don’t see much of each other. My brother got a hold of the videos that she took of me sparring and he’s been circulating them on Facebook. He came to see me in my Taekwondo classes a few times when I was in my early twenties, and he said my fighting style hasn’t changed at all.

“Dude says ‘fight’ and you just start walking toward the other guy like you don’t give a shit he’s got twenty pounds on you and might murder you. You wouldn’t be my sister if you weren’t trying to assault someone.”

This was weirdly validating. Also a reminder that I need to spend more time with my siblings, who get me way more than I usually give them credit for.

I also sucked quite a bit less than I’ve ever sucked before. In cutting, I may not have sucked at all. I was pretty fucking pleased with myself.

Now that I’m in waiting-mode where the book is concerned, I’ve started on another project. I haven’t written fiction since middle school, and I’ve really wanted to give it a grown-up whirl. I’m afraid I don’t read enough fiction to actually produce anything good, but it’s been really fun so far. I haven’t outlined shit. I’m not planning a gotdamned thing—just following impulses. I’m not really sure it’s possible for me to make up characters from scratch. Everyone is modeled after someone I know, and I’m basically writing myself. Or myself as I’ve seen myself. Or something. With better dialogue (and Ali has a better car). In any case, it’s really fun.

Guys. What if I wrote young adult novels? Maybe this is a thing.

In other news, I’m plotting workshops for Free Spirit Gathering. I’ll be co-teaching with Winter Tashlin and Thista Minai, who are both amazeballs. Winter and I will be leading a discussion about Paganism and privilege, and Thista and I will be teaching archery as a devotional practice. I’m really excited to have my bow at FSG. You should come shoot with me!

Over + out.

Sucking at Fencing, Sucking in General

15355773_1797489653858417_308325602769976054_nSo I finally responded to a post in the Esfinges Facebook group, which is an online space for female HEMA people. A young woman wrote in describing her own post-practice frustrations and asked for input on how to deal with, basically, feeling like you suck too hard to be handling a sword.

I fancy myself something of an expert at sucking (see tales from my days as a 7th grade soccer star here), so I finally felt like I could contribute something useful to the group:

I think it’s important to understand that failure is, in and of itself, an experience that demands the cultivation of grace and compassion. It’s relatively easy to be enthusiastic and kind and supportive of others (and ourselves) when we’re winning, or when we know we’re good at something. People are less adept at handling struggle and frustration. I’ve met people at tournaments who seemed awesome…until they lost. Then it would be like hanging out with another person. Those types of folks are usually not worth building relationships with, and I find they don’t have a lot of longevity in their respective fields.

Learning to deal with frustration is part of become adept at something. I’ll second the suggestion to journal. I’d also challenge you to do more things that force you to deal with those feelings. Failing means we’re trying, and pushing beyond what we know we’re already good at. In my own practice, I work to remind myself of where I’ve succeeded. And also of where I’ve failed even harder than what I’m experiencing in the moment. I say things like, “Okay, I sucked today. But you know what? I was here and I did it, and things are better than they were last year. And I’m certainly better for having tried than if I’d just stayed home.”

Do that, and in time, I really do believe that success follows. It’s just that we don’t talk much about all of the failure that mastery requires.

Having finished exuding the wisdom that can only result from decades spent failing, loudly and in public (and being, as far as I can tell, a good decade older than many of the more vocal group members), I was suddenly struck by something. Something that’s been nagging at me since I started competing in fencing tournaments that I haven’t been able to pinpoint until now:

HEMA people don’t seem to collectively know how to lose.

It’s like there’s a stigma against trying something and sucking at it. And maybe it’s in my head, but I feel like I’m running into it extra hard with the women I’m meeting.

I get excited to see other women at tournaments and I bop on over and introduce myself, and I frequently get something like, “Oh I’m not competing today! I’m just not ready yet!” Or, “I’m still a beginner—I’m just here to watch!” More than once I’ve had other women tell me I’m brave for competing, like I’ve just signed up to donate a lobe of liver or something. I also hear a lot of, “Oh, I’m not a good fencer, you should really talk to someone else!”

We learn this kind of self-deprecating speech over the course of our lives. I learned to say things like this before getting on stage and playing guitar (girls don’t play rock music any more than they handle weapons, as far as the world seems to be concerned). I catch myself saying shit like this about fencing, too. So I get it. Jesus, I get it.

But fundamentally what’s happened is these women haven’t given themselves permission to fight. Some of them might get online later and find an excuse. We do a lot of complaining about larger opponents, poorly-fitting protective gear (because no one in Poland has ever seen a naked woman, as far as I can tell), instructors who can’t empathize they way we wish they could (though I’m lucky to have one who works at this), and similar. And those are real issues, certainly. Yeah, shit can be a lot harder as a girl. I 110% agree.  And that’s a battle that we need to be fighting.

But I’m also okay with losing. And I think that’s a big part of the underlying issue, in the art as a whole. Losing is hard, and it’s a lot easier to just not try.  It’s much easier to drink and be angry and complain on the Internet about how unfair things are.  It’s much easier to come up with reasons why you shouldn’t be expected to do things.

Quitting is easy.  Never trying to begin with is even easier.

I’m okay with walking into a ring, understanding that I could be slaughtered. I might make particular choices about who I spar just for the sake of preventing unnecessary injury, but I’m not going to “wait until I’m better” the way I feel like I’m being told to. I know that I might never feel ready. And I spent enough time wrangling with depression to know that I can’t always trust my own perception of myself or my abilities. I have to do things despite how I feel.

It’s not just us ladies, of course.

At one point, I heard someone in my own fencing circle rumbling about the need for a “fight team” of elite students, so that we could make a better impression as a school. Students should earn the right to compete in outside tournaments.

Come on.

Like if one of us displays weakness, the wolves will close in.

Let’s be real: If people had to wait to compete until they felt like they were assured victory, most of us would never leave our homes. It’s this line of thinking that says you shouldn’t try anything unless you know you’ll already be good at it. That might fly in a Mountain Dew commercial, but real life isn’t like that. In fact, I think that kind of attitude is cowardly. Shit, if I waited until I thought I was ready for things, I’d still be hiding in my bedroom, living with my parents, maybe even married to someone I hate. I definitely wouldn’t have gone to grad school. I wouldn’t have nabbed that book deal. I wouldn’t have ever published anything. I wouldn’t have ever gotten on stage to perform. I wouldn’t have the friends I do now. I sure as fuck would never have become a priestess running a coven.

Maybe some of this is pressure to be acknowledged as a “real” sport. Maybe it’s a nerd thing. Half of us have spent our lives playing D&D and being bullied for wanting to go the Renaissance faire instead of trying out for football. It feels good to be validated somewhere, finally.

I don’t know. But I think when I get frustrated by peoples’ bad attitudes at tournaments, this is part of what’s behind it. I don’t recall running into these things when I was doing Taekwondo, though maybe it’s because I just wasn’t paying attention (there were also plenty more women, so I think we’d collectively hammered some things out already and weren’t dealing with the same level of frustration).

So I’ll say it again: Part of being good at something is being good at failing. Winning is actually a lot less impressive, in my mind. Someone has to win, after all. But good losers are too few and far between.

I’ve dealt with too much bullshit in my life to be overly worried about whether or not strangers at a tournament think I should be there or not. I care what my instructor thinks, I care about my own safety (well…), and I care about whether or not I’m coming out better at the other end of things. But I’m really over the deprecating talk of being “worthy” of handling a sword.  I’m going to do the thing regardless of whether or not anyone thinks I’m worthy.  Because I like trying.