Deck Showcase: Modern Spellcaster’s Tarot

tarot oneI received the Modern Spellcaster’s Tarot by Melanie Marquis and Scott Murphy way back in February. I’ve only just now opened them. Why the wait? Partially, it’s because they were a freebee from my publisher, along with a bunch of awesome books (at conferences, it’s often more cost effective for publishing houses to send sample copies home with attendees than it is to ship or fly materials back to some warehouse, hence my pile of booty), so I didn’t have the same kind of investment I normally would if I’d actually used my own money to purchase them. Further, I’m just not usually very impressed by mass published decks. There are absolutely some gems out there, but they tend to look the same to me after a while.

But I started to feel bad about letting this poor deck languish in its packaging and finally opened it tonight. I’m happy to report that I’m genuinely impressed. I hadn’t read any publisher descriptions or reviews at this point, but was struck immediately by the obvious attempt at inclusivity in the artwork. There are people of color on several cards in every suit as well as in the Major Arcana, and effort has also been made to include relationship models beyond the usual heteronormative depictions in the classic Waite-Smith (two men in the Two of Cups, for example). Low and behold, the Modern Spellcaster’s Tarot is billed as “inclusive” and “multicultural.” There have been some really awesome self-published tarot projects in the last couple of years working to represent queer and POC communities (offhand I’m thinking of the Slow Holler Tarot and the Slutist Tarot), and it’s good to see mainstream releases following suit (haha see what I did there), however slowly.

I need to pause for a second and go on about these Knights, though.

tarot fourThe Knights are some of my favorite cards, and I love what’s happening with their mounts. The Knight of Cups—on his bigass fish—is easily the most delightful tarot image I’ve seen all year. These guys are just such…dudes. Take away their horses and give them giant squirrels and suddenly they’re a thousand times more relatable (in my world, oversized forest beasts = relatable).

I do wish the cardstock was thicker. I could see myself actually using this deck to read for myself, but I’m pretty sure a couple of months in heavy rotation would be all that these cards could take. Otherwise, though, this deck is one of those gems I mentioned earlier.

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Deck Showcase: The Linestrider Tarot

I didn’t go for the Linestrider Tarot when it was on Indiegogo, but I almost did. You can only support so many things, you know?

I realized the error of my ways when the decks actually got shipped, though, and my tarot friends started posting images of the cards on Instagram.

This deck is pretty rad.

Just check out The Fool:

linestrider fool

I love the lack of a face in particular, but all of the cards occupy that intriguing space that’s both very sparse and highly provocative. The images are a clear nod to the Waite-Smith, but with some really interesting twists. Several of the figures are animals, for example, and others are more clearly invoking Western esoteric motifs that aren’t quite so explicit in other Waite-Smith-inspired decks.

The Linestrider Tarot is the work of Siolo Thompson, based in Seattle. I’m not super artsy, so I can’t really comment intelligently on what’s actually going on here, but it registers like a pleasantly muted watercolor under stark black lines. Lots of white space. It’s gorgeous, and I think it’ll appeal to minimalists (which is not to say that there isn’t a ton to consider in each image).

The original decks are sold out, but Llewellyn Worldwide has already picked up the project and mass copies will be available in May 2016. In the meantime, sexiness:

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Spring-o-ween

I know we just hit the spring equinox. There’s rabbits and eggs and budding flowers everywhere and everyone’s all anxious to go outside and roll in the grass or whatever. I know.

But I really just want it to be Halloween.

Spring is nice, and I like warm weather well enough, but I’m a fall/winter person. Here in North Carolina, we don’t get many crisp mornings and gentle snowfalls. The weather is erratic enough that we can’t count on beautiful color-changing leaves or toasty sweaters by October. Halloween is more likely to entail mosquitoes and sticky rain. Spring is sticky and buggy, too, but with less witchcraft and awesome spooky shit.

I always want it to be Halloween, and I’m absolutely okay with living up to some witch stereotypes here. For those of you who feel the same, here are a couple of decks for your consideration:

photo 2The Halloween Tarot by Kipling West has been around for several years now, but we just got a miniature version in at Laughingbrook and I’m obsessed with it all over again. It comes in a little tin (there are several other versions, in various boxes and sizes), and it’s the perfect size for casual shuffling. The Halloween Tarot is an uncomplicated copy of the Rider-Waite, but with Imps, Pumpkins, Bats, and Ghosts in place of Wands, Pentacles, Swords, and Cups. Many of the cards are directly transposed from the familiar images and will translate right away for those of you who work from a Colman-Smith platform. This deck is just straight-up charming. A must-have for Halloween-loving tarot people. This makes me want to give Halloween-themed readings in the Etsy shop just for the hell of it.  Don’t be surprised if that becomes a thing.

photo 3The All Hallows Tarot, by Robin Tisch Hollister, came out first as a majors-only set.
Now you can buy a full 78-card deck plus a Happy Squirrel. The drawings are quirky and with the sort of imprecise line-work that I really dig. Like my Halloween Tarot, the cards are miniature (2.65 in. x 3.65 in), which makes shuffling a breeze. At $40, this isn’t a cheap deck, but it is nice to have something so unique. My deck came with a more-ornate-than-usual nylon pouch, wrapped in a plastic Halloween goodie bag of the sort distributed at parties.  A good choice for a Halloween lover who wants something more unique.  Buy it here.

Deck Showcase: Prisma Visions Tarot

photo 4It’s here! It’s here! The Prisma Visions Tarot, by James R. Eads, popped up on Kickstarter this past fall after plenty of online buzz. I found out about it on Tumblr right before the campaign went live and was able to snag a nice rewards package (many of them sold out right away). Eads’ earlier deck, The Light Visions Tarot, sold out promptly and is now, sadly, practically impossible to obtain (got one to sell? Hit me up). My decks and extras arrived early this week and there was plenty of jumping up and down and squealing.

Prisma Visions is a 79-card deck (the extra card is “Strawberries”—a bonus trump and Eads’ original creation). It comes in a sturdy cardboard box with a flip top (not the usual tuck box) and an attractive 96-page instruction booklet. The cards themselves are thick and glossy and—best of all—the edges are silver-gilt. These cards fucking sparkle. They’re so pleasing to handle that they’d be worth buying even if you never read with them. But they’re sturdy, easy to shuffle, and full of provocative imagery, so reading is a pleasurable task. The trumps are bordered, but the minors are borderless and fit together in beautiful panoramic sequences. The symbolism is relatively traditional Waite-Smith and will translate nicely for those comfortable in this system.

There’s been a lot of excitement and anticipation surrounding this deck, and it’s absolutely justified. Prisma Visions is a worthwhile addition to any collection and the $45 price tag is worth it.  Buy it here.

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Deck Showcase: Ritual Abuse Tarot

photo 3 photo 2 photo 1The Ritual Abuse Tarot by Ryan Sheffield was on my radar back when it was on Kickstarter, but I didn’t give it much consideration because I was so put off by the name. The horror genre is tricky and laden with all kinds of opportunities for the sort of misogynistic awfulness that I usually can’t process very well (which is not to say that these things don’t lurk elsewhere, only to note that horror communities are just particularly good at it), so my tendency is avoidance. “Ritual abuse” just makes me think of exploited children, when what I really want are werewolves and ghost stories and scary supernatural shit going RAWR I WILL EAT YOU in the night. The title alone was the buzz kill for me.

I finally gave this deck a serious look when I heard that it was inspired by the works of Stephen Gammell, whose art scared the shit out of me when I was a kid and is more than a little responsible for my ending up obsessed with witchcraft. For those of you who don’t know what I’m talking about, allow me to refer you to Alvin Schwartz’s Scary Stories to Tell in the Dark, a trilogy of books that should absolutely be on your shelves (but not the 30th anniversary edition illustrated by Brett Helquist, which is a fucking atrocity, only because poor Helquist was set up to fail).

This deck is a total treat. The art is both nostalgic (for those of us who grew up with Scary Stories) and delightfully creepy. Even more appealing is Ryan Sheffield’s attitude, which is refreshingly unassuming and charmingly irreverent. In the included LWB we are told: “Be a mystic. Be a Skeptic. Spook your friends. Foretell the future. Trash the Major Arcana and just use the cards to play poker.”

If you love horror, monster and ghost stories, and ever had nightmares courtesy of Stephen Gammell’s illustrations, you need this deck. There’s no sexual violence (which has long been a trigger for me in both the genre and in art generally), or any of the stuff that was initially wigging me out with the phrase “ritual abuse.” It’s also a quality printing job, with glossy cards, a neat-o aluminum box, and lots of care put into packaging. I’m so glad I finally added this deck to the collection.  Buy it here.

These Oracle Cards are Ruining My Snobbery

photo-4So oracle decks fuck with me on a couple of levels.

I’d never had any interest in them. In the realm of cartomancy, tarot is my reigning mistress, with a bit of Lenormand on the side just for variety. The history, the blending together of fascinating magical systems, the provocative artwork…

Oracle cards seem to be mostly devoid of all of the things that make me love tarot. Aside from all of the pastel airbrushing and sparkly foil borders, oracle decks seem to necessarily rely on intuition, impulse, and feelings. “I feel that this card is saying…” as opposed to “this card traditionally means…” With oracle cards, there’s usually not a lot outside of the deck itself to turn to for information. We’re left with our guts (and not in a fun, haruspicy sort of way).

This works for plenty of readers, and it’s certainly an effective way to divine. But it’s never been my preferred style. If I want to practice divination that relies primarily on my woo (a term I use with reverence and which encompasses my witchcraft, my relationships with my gods, and anything we might call “psychic” abilities), I have other preferred methods. Oracle cards have always struck me as super New-Agey, with their cutesy artwork (or Sports-Illustrated-swimsuit-issue portrayals of goddesses), feel-good messages, and plethora of writers with fake PhDs.

But! But! I’m having to throw out my previously established negativity when confronted with Stacey Demarco’s Halloween Oracle. Which I can’t stop handling. The artwork is gorgeous, the book is full of fun Halloween factoids, and even the print job is solid. So what the hell do I do with myself now?

I don’t really know yet. I’m screwing around with a totally different way of reading cards, trying to come up with spreads that make sense to me, and challenging my tendency to rely on external sources for information. It’s fucking with me. But in a good way.

I’ll write more about all this as things progress, and maybe persuade some of my regular clients to allow me to experiment on them.

I will say that, in my cursory reappraisal of oracle decks as a thing, I’ve continued to be disappointed (so many decks are just…gross), but the Halloween Oracle gives me some hope.

Deck Showcase: The Light Grey Tarot

photo-3The Light Grey Tarot, by the folks at Light Grey Art Lab, has been on my radar for a while. Some of the lovely people on my tarot blog roll are fans, and after several months of their Instagram pictures and blog reviews I decided it was time to acquire my own copy (well, two copies, so I can hoard one and play with the other).

This is exactly the sort of deck that usually piques my interest. I love independently produced decks, and this one is extra special because each card is interpreted by a different artist—all 78 of them. A huge variety of artistic styles are represented, from close variations on the Rider-Waite model to wildly divergent Modernist pieces. It’s all here, from the cutesy to the provocative, in just about any medium you could ask for from a tarot artist.

This deck would be ideal for someone with a background in the Rider-Waite system who was ready for some variety. Many of the images are conventional in terms of interpretation, but there’s enough deviation to keep things interesting. Also good for artists and art lovers. And, of course, this is a great addition for the discerning tarot collector. To my knowledge, this isn’t a limited print run, but I’ve found in the past that decks like this have a way of acquiring value over time. Never a bad thing!

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