I received the Modern Spellcaster’s Tarot by Melanie Marquis and Scott Murphy way back in February. I’ve only just now opened them. Why the wait? Partially, it’s because they were a freebee from my publisher, along with a bunch of awesome books (at conferences, it’s often more cost effective for publishing houses to send sample copies home with attendees than it is to ship or fly materials back to some warehouse, hence my pile of booty), so I didn’t have the same kind of investment I normally would if I’d actually used my own money to purchase them. Further, I’m just not usually very impressed by mass published decks. There are absolutely some gems out there, but they tend to look the same to me after a while.
But I started to feel bad about letting this poor deck languish in its packaging and finally opened it tonight. I’m happy to report that I’m genuinely impressed. I hadn’t read any publisher descriptions or reviews at this point, but was struck immediately by the obvious attempt at inclusivity in the artwork. There are people of color on several cards in every suit as well as in the Major Arcana, and effort has also been made to include relationship models beyond the usual heteronormative depictions in the classic Waite-Smith (two men in the Two of Cups, for example). Low and behold, the Modern Spellcaster’s Tarot is billed as “inclusive” and “multicultural.” There have been some really awesome self-published tarot projects in the last couple of years working to represent queer and POC communities (offhand I’m thinking of the Slow Holler Tarot and the Slutist Tarot), and it’s good to see mainstream releases following suit (haha see what I did there), however slowly.
I need to pause for a second and go on about these Knights, though.
The Knights are some of my favorite cards, and I love what’s happening with their mounts. The Knight of Cups—on his bigass fish—is easily the most delightful tarot image I’ve seen all year. These guys are just such…dudes. Take away their horses and give them giant squirrels and suddenly they’re a thousand times more relatable (in my world, oversized forest beasts = relatable).
I do wish the cardstock was thicker. I could see myself actually using this deck to read for myself, but I’m pretty sure a couple of months in heavy rotation would be all that these cards could take. Otherwise, though, this deck is one of those gems I mentioned earlier.